Charlie & The Chocolate Factory
Dean
As a kid I loved the 1971 film Willy Wonka and the Chocolate Factory. As an adult I have continued to enjoy this classic film whenever I've seen it.
But when I was a kid I was surprised to discover that the film had been based on a 1964 book by Roald Dahl, Charlie & The Chocolate Factory. Although I never did read the sequel, Charlie & The Great Glass Elevator, I remember even as a kid being impressed by how much more interesting the book was than the movie. "Of course," you're thinking, "everyone says that." Well no, not really: usually people who read a book are disappointed in a movie because the changes, and what's left out, disappoint them. The movie never lives up to the vision in your head. This was different: I'd already seen the movie more than once, and liked it, and this book was simply so different it almost seemed like a different story. It was good but stranger, more exotic, and more subtly witty. Yes, it was a kid's book, but a very unique and interesting kids' book.
I still liked (and still do like) the movie starring Gene Wilder, but I never forgot how much more interesting the book seemed.
Then I heard Tim Burton was working with Danny Elfman and Johnny Depp on a new version of the movie. At first the previews looked a little too... not sure what the word is. It didn't look promising, but I withheld judgement. My view is that Tim Burton is a quirky director who sometimes turns in exceptionally good films (such as Beetlejuice), sometimes turns in films that I like but don't exactly love (Mars Attacks!), and sometimes turns in films that are exceptionally awful (Planet of the Apes).
In short, I'm ambivalent about Tim Burton. When he's good he's very good, and when he's bad he's.... oddly compelling but still bad.
I'm also not all that fond of Danny Elfman's work. Not that I'm a big listener to soundtracks, but I always notice Danny Elfman's musical scores because, frankly, they're sort of intrusive. When he does a soundtrack, the music seems to stick out, and sometimes seems labored when it should be soaring. Sometimes it's compelling but sometimes I wish the director had turned to someone a bit more skillful.
Then there's Johnny Depp: him I can't say anything bad about, honestly. He's one of the most brilliant actors working today. There's one thing you can say about Johnny Depp that you can say about only a few other actors (Robert Duvall is another who comes to mind): he's impossible to categorize, but he's always good in everything. There is no such thing as "a Johnny Depp movie." He's constantly trying something different, constantly stretching himself. This I admire.
So anyway, today with some hope and some trepidation I took Jake to see Tim Burton's Charlie and the Chocolate Factory.
Honestly, I think it's Tim Burton's best work in years. And Danny Elfman's. And Depp has one again proven he's one of the most flexible and interesting actors working today.
This movie is much more faithful to Raold Dahl's original book. Indeed, although it's been many years since I read it, the movie seems to match the book almost perfectly--both in plot and in humor. I was surprised to note that even the lyrics to the songs seem to closely match what was in Dahl's book, most of which was thrown out in the 1971 movie. Indeed, the credits to the film credit Elfman for the music and Dahl for the lyrics.
If you go to see this film, the first thing to do is simply forget the first film. This is not a "remake." It's a different film, period. The music is completely different, the plot is similar but significantly different (up to and including the ending), and the entire look and feel is different.
It is, as I say, far closer to the original book. My suspicion is that Raold Dahl would be thrilled with it.
My son, who'll be 8 in October, also liked it quite a bit.
I give it four out of five stars. I'm not sure if this one will hold up as a classic like the 1971 film, but I do think it's one of Tim Burton's best films.
It was quite good, much better than I expected.
* Update * Fred Ochsenhirt has a better-written review, and liked it even more than I did, but for substantially the same reasons.
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Of course, I was about 20 years younger then.
Yours,
Wince
I dont see the big deal about Depp. He is the main reason I dont want to see this movie. His voice in the previews, is irritating. what acting job has he done, that really demanded great acting skills? I dont like tim burton, just too wierd and dark.
Finding Neverland
Blow
Chocolat
Fear and Loathing in Las Vegas
Ed Wood
Edward Scizzorhands
What's Eating Gilbert Grape
Benny and Joon
Platoon
There's a lot of artists whose work I enjoy that have pretty ridiculous ideas. I refuse to let that interfere with my enjoyment of their work.
A fair question, since generally speaking if you say something is "like nothing else" (the definition of unique) it would seem redundant to add "very" to it. But let me defend this usage:
Every snowflake is unique. No two are the same. Yet if I told you I had a snowflake that wouldn't melt on a hot summer day, you'd have to admit that it was more than just unique.
If I said Ray Charles was unique because he fused gospel with jazz and blues at a time when that was not done, that would be inarguable. If I added in that he also did country music, that would be more than just unique, it would be extraordinarily unique (and by the way, Ray Charles did do that).
So yes: this movie is very unique.
Background music is like a political advisor such as Karl Rove - when they become the center of attention they have failed at their job.
Like George C. Scott became Patton.
Like Sean Connery became Bond.
It will be hard to get around that.
Oh, and like Jeremy Brett became Sherlock Holmes, if you know what I am talking about.
Gene Wilder in my mind is generally okay. Some of his roles he's all right in, some he's terribly annoying in. He has exactly two roles for which he is truly immortal: Willie Wonka, and Voctor Von Frankenstein. In both of those roles, he transcended himself (or was the apotheosis of himself, take your pick). He's been in movies that were anywhere from good (Blazing Saddles or The Silver Streak) to bad (make a long list). But Wilder was truly extraordinary in both of those movies.
And how many actors can say they have not just one but two roles that were absolutely unforgettable? I take nothing away from Wilder here.
However: this movie is so different, and this portrayal of Wonka is so different, you won't even find yourself making the comparison. You'll just appreciate it for what it is.
When you see it, just forget that other movie. It's in a class by itself, and should be remembered for what it is. Just watch this movie and let it be what it is.
And just keep this in mind: this is much, MUCH closer to the original book.
I think you'll like it. Seriously, the comparisons don't even make sense. It's like saying, "who was a greater guitarist, Jimi Hendrix or Andres Segovia?" Or, "who was the greatest President, Woodrow Wilson or Andrew Jackson?" The differences are that stark--and that interesting.
And I have always liked the way Burton handled Depp, so yeah I think you are right Dean, I should be able to put Wilder out of my head.
If the movie is closer to the book, that is definitely a plus also.
Now Gene Wilder fits Willie Wonka. The real tragedy is that in other movies he played serious characters.
The dark craziness--which clearly appeals to all involved--was certainly there. This rendition was much closer to Dahl's original than Wilder (love Wilder, too). Charley was clearly out of his gourd. The evil kids, admittedly, didn't die in the film, but they still got a pretty good comeupance.
Visually, the film was great. The interior of the factory was just plain fun; the Umpaloompas fabulous.
But for some reason the film didn't gel. It seemed a pastiche of bits and pieces sort of stuck together, not making up a single body, but more like the Boogey Man in "Nightmare before Christmas", which I think is Burton's best film. Lots of things were going on, but they were only loosely bound in burlap, ready to come apart at the seams.
Maybe it was only because of the trailer for the new Burton/Elfman film that was shown immediately before "Charley" started... that looks god-awful and maybe it poisoned my mind.
I did enjoy watching it, but have no inclination to see it again.
What's Eating Gilbert Grape was good because he was very good. It's the type of movie that I would make fun of at best and hate at worst, but I actually enjoyed it.
He's whatever his character is. Humphrey Bogart was always Bogart. John Wayne was always John Wayne. Cary Grant was always Cary Grant. Johnny Depp is whoever his role is.
Speaking of Gilbert Grape, I have to admit that Leo DiCaprio (sp?) is a pretty good actor too. Again, I don't like him but I think he's a good actor.
I didn't realize Depp was in Platoon. Who was he?
I thought Charley was great, the grandpa was good (hard to beat "The Man"), and the more complex wonka was definitely better.
Depp got annoying at points, and it seemed like it was a little too catch-phrase conditioned with references that will be dated before long.